Technological innovation has continuously shaped documentary practice as an exploratory attempt to represent reality in its most fleeting and unspeakable aspects. Today, with the advent of AI-based visual tools, a new mediatic phenomenon is rapidly permeating contemporary culture, profoundly reshaping our relationship with images, reality, and storytelling. This work situates itself within recent artistic experiments and academic research addressing this emerging medium and its intersection with documentary filmmaking. Through an exploration of the photographic work of Willy Römer during the November Revolution (1918–1919) in Berlin, developed in collaboration with the Staatliche Museen zu Berlin and its Kunstbibliothek, the project aims to construct a visual bridge between the birth of documentary referentiality, early twentieth-century glass-negative photography, and contemporary narrative techniques.