Ruqing Yin
The Chun Hui Tang's Museum in Suzhou : a project into the traditional Chinese Gardens' City, world heritage.
Rel. Marco Trisciuoglio. Politecnico di Torino, Corso di laurea magistrale in Architettura Per Il Restauro E Valorizzazione Del Patrimonio, 2015
Abstract: |
Nowadays architectural heritage protection is no longer just only for the great monuments, but also for small sites which are younger or less important. Keynote for the great monuments usually is to prevent them from any possible harm while what for the small sites most of which still have reality functions? In China, because of the special shape of traditional architecture, these small architectural heritage could not support the functions all by themselves, weak in offering more space. In consequence, new buildings always been constructed for helping affording functions together with the old buildings, meanwhile with old buildings new buildings should still keep the value of historic. So the problem of the formation of these new buildings under the subtitle of heritage protection arose up. Generally speaking, there are two directions of this type of design: one is to build something as exactly same as the traditional buildings, the other one is to abstract the spirit of the traditional elements to shape a modem one. Within this thesis the former one is considered to be too static for the modem life, most of design in China trends to be in this way. While the later one is more able to bring the historical buildings reborn and also a development of the traditional design method, in my eyes concept in Italy is more like this way as far as what I have seen in this two-and-a-half year study. Under this concept, a small heritage site called Chun Hui Tang as a now abandoned municipal historic relics protection units located in Suzhou , China, where splendid culture and abundant historical resources nourished through over two thousand years has been chosen for the theme of this thesis. With the features of the city and with the analysis of the surroundings of Chun Hui Tang , the function is set to be a Museum of Intangible Cultural Heritage of Suzhou and a base for inheriting them. This project tries to use the symbolic traditional elements and create interesting feelings of space just like the traditional Chinese garden, in order to make an identified new design to elevate the status of Chun Hui Tang in the block and in the city. |
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Relators: | Marco Trisciuoglio |
Publication type: | Printed |
Subjects: | A Architettura > AO Design G Geografia, Antropologia e Luoghi geografici > GD Estero SS Scienze Sociali ed economiche > SSG Sociologia |
Corso di laurea: | Corso di laurea magistrale in Architettura Per Il Restauro E Valorizzazione Del Patrimonio |
Classe di laurea: | UNSPECIFIED |
Aziende collaboratrici: | UNSPECIFIED |
URI: | http://webthesis.biblio.polito.it/id/eprint/4443 |
Chapters: | Introduction Contents Chapter I Design of new building under the concept of heritage protection Comparison of concept of heritage protection between China and Italy Concept of heritage protection in China Concept of heritage protection in Italy Conclusion of comparison and its relationship with design of new building Chapter II The City of Suzhou featured with world heritage of traditional Chinese garden Suzhou-A city with highly civilized history and of advanced modernization City status Long history and the unique ancient urban planning Tangible cultural heritage and intangible cultural heritage brought by abundant historical resources and splendid Wu culture World heritage traditional Chinese garden in Suzhou Concept and principle of traditional Chinese garden design Elements used in traditional Chinese garden Methods of traditional Chinese garden design Architecture in traditional Chinese garden Typology of traditional Chinese garden Chapter III Chun Hui Tang-a municipality historic relic protection unit located in a historical block in Suzhou Reason of site selection History of Chun Hui Tang SWOT Analysis of the surrounding around Chun Hui Tang Strength and Opportunity Weakness and Threats Conclusion Status quo of Chun Hui Tang Chapter IV Design specification of the Project Concept Definition of function Concept from the ancient city gate "Panmen Gate" for the entrance Concept from traditional Chinese garden Concept from Typology of traditional Chinese garden for volume shaping General requirements of designing a museum Arrangement of the plane Masterplan Layout of entrances First floor Second floor Planning of the prospects Solid part-monopitch black roof with cut-on -top white wall Transparency and opening Analysis of the design Analysis of function distribution Analysis of traffic line Analysis of scenery sight Architectural techniques Structure and materials Drainage Lighting effect Reference Acknowledgements |
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