
Shao Zheng Wu
A Study of Design Associations, Design Centers, and Design Schools in China.
Rel. Pier Paolo Peruccio. Politecnico di Torino, Corso di laurea in Design E Comunicazione, 2025
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Abstract: |
With the deepening of China's Reform and Opening-up policy, the Chinese design industry entered a period of rapid development. In 1979, the China Industrial Design Association was established as China's first national design association. Under the influence of Hong Kong's design culture, the mainland design community gradually recognized the importance of establishing design associations to enhance product competitiveness and promote industry development. Subsequently, provincial-level design associations, such as the Shenzhen Graphic Design Association and the Guangdong Industrial Design Association, were successively established. Meanwhile, the development of design centers has undergone significant transformations. From the establishment of the China Architecture Design & Research Institute in 1952 to the subsequent emergence of various enterprise design centers, Chinese design centers have created significant works in different periods. Examples include architectural works such as the Beijing Exhibition Center and the Capital Theater, as well as product designs for brands like Hongqi Automobiles and Li-Ning. In terms of design school, higher education institutions represented by the Academy of Arts & Design at Tsinghua University and the Central Academy of Fine Arts have made important contributions to the development of design education in China. They have both inherited the essence of traditional Chinese art and actively absorbed advanced international design concepts and teaching methods, cultivating numerous outstanding design talents. Based on six months of in-depth research on design associations, design centers, and design schools, as well as a systematic review of relevant literature, this paper examines the development history, current status, and future trends of these three types of design institutions. The research shows that the development of these institutions was influenced by the Soviet model in the early stages and actively drew on international experience after China's Reform and Opening-up. In terms of sustainable development, design institutions have begun to emphasize the application of environmentally friendly materials and the promotion of green design concepts. In digital transformation, design centers are actively exploring the application of new technologies such as VR and AR in design. This research has significant implications for understanding the development trajectory of China's design field while providing reference for planning future development directions. Driven by both sustainable development and digital transformation, Chinese design institutions need to further strengthen the implementation of eco-friendly design concepts and promote the deep integration of digital technology with traditional design. While protecting the environment and promoting innovation, they should make greater contributions to the modernization of China's design industry. |
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Relators: | Pier Paolo Peruccio |
Academic year: | 2024/25 |
Publication type: | Electronic |
Number of Pages: | 121 |
Subjects: | |
Corso di laurea: | Corso di laurea in Design E Comunicazione |
Classe di laurea: | New organization > Bachelor > L-04 - INDUSTRIAL DESIGN |
Aziende collaboratrici: | Politecnico di Torino |
URI: | http://webthesis.biblio.polito.it/id/eprint/34534 |
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