Simona Polello
Lisbona : the Seven Mirrors Project.
Rel. Marco Trisciuoglio. Politecnico di Torino, Corso di laurea magistrale in Architettura Costruzione Città, 2017
Abstract: |
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Relatori: | Marco Trisciuoglio |
Tipo di pubblicazione: | A stampa |
Soggetti: | G Geografia, Antropologia e Luoghi geografici > GD Estero O Opere generali > OA Bibliografia U Urbanistica > UB Architettura del Paesaggio |
Corso di laurea: | Corso di laurea magistrale in Architettura Costruzione Città |
Classe di laurea: | Nuovo ordinamento > Laurea magistrale > LM-04 - ARCHITETTURA E INGEGNERIA EDILE-ARCHITETTURA |
Aziende collaboratrici: | NON SPECIFICATO |
URI: | http://webthesis.biblio.polito.it/id/eprint/5809 |
Capitoli: | INDICE 0.An introduction to the Thesis 0.1.Why the landscape 0.2.Why Lisbon 0.3.Culture+Heritage+Landscape 0.3.1.Landscape 0.3.2.Culture 0.3.3.-Heritage 0.3.4.Cult-heri-scape 1.Lisbon as a Cultural Landscape 1.1.Why Lisbon should be considered as a cultural landscape? 1.2.Lisbon as a city full of charm and contradictions 2.Evolution of Lisbon and its Landscape 2.1.Essential Historic Chronology 2.2.Essential Landscape Chronology 2.3.Framework of the Lisbon territory 2.4.Ancient time 2.4.1.Early development 2.4.2.City's growth. 2.4.3.Morphology, Water and Landscape 2.5.Earthquake 2.5.1.Lisbon capital of the world 2.5.2.New Lisbon 2.6.1800s and 1900s 2.6.1.Landscape architecture 2.7.EXPO 2.7.1.The Oceans, a Heritage for the Future 2.7.2.Last Crisis and Last Development 2.8.Final considerations 3.From the History to the Framework and the Mending 3.1.The green experiences 3.2.The social experience 3.3.The cultural experience 3.4.Final considerations 4.Representation of Lisbon 4.1.Every road leads to... Lisbon 4.2.From literature to architecture 4.3.Immaginarium 4.4.The game of mirrors 4.5.Landscape's iconography 4.6.Thematic cards of the city-novel 4.7.Photography, Sketching, Filming 4.8.Final considerations 5.Explore the Lisbon's Cultural Landscape With eyes wide open: STORYTELLING 5.1.Stories of places, Stories into the Places 5.2.The Pessoa's city 5.3.The voyage of Saramago 5.4.Antonio Tabucchi 5.5.Disappear into the city 5.6.Time waits for no one 5.7.Siza's Chado 5.8.Game of Maps 5.9.Take a breath and make a question 5.10.Final considerations 6.Walking and Wandering 6.1.It is not known a place until it surprises us 6.2.The nature's lesson 6.3.Jump in the city 6.4.Reading the world, the landscape, the mind 6.5.Psycogeographic derivé 6.6.Gaze and doubts 6.7.Just walk 6.8.Walking in Lisbon 6.8.1.After so much walking, let's make two steps in Lisbon 6.8.2.From the Avenidas to the Downtown, and turn back 6.8.3.On the chessboard 6.8.4.Through the Labyrinth 6.8.5.The upper side of the downtown 6.8.6.Come to the river 6.8.7.Belem's trees 6.8.8.Linear Expo 6.8.9.A little bit of color 6.8.10.What the walls recount 6.8.11.Street culture 6.8.12.Final considerations 7.Walkability Project 7.1.One step at time 7.2.Walk and Dream: MY PERSONAL EXPERIENCE 7.2.1.First exploration: walking and wander random in the city 7.2.2.Second exploration: consciousness walking in the city 7.2.3.Third exploration: Belèm and Alcantara walking 7.2.4.Fourth exploration: Expo and the last goodbye to the sea 7.2.5.Walk and Dream's lesson 7.3.Walk and Write: THE MAPS 7.4.Walk and Design: WALKABILITY REFLECTION 7.4.1.Points to see 7.4.2.Alternative itineraries 7.4.3.Reflects and reflections about the itinerary 7.4.4.The peculiar paradox 7.4.4.1.Rossio 7.4.4.2.Terreiro do Pago 7.4.4.3.Chiado 7.4.4.4.Alfama 7.4.4.5.Aqueduct 7.4.4.6.Barrio Alto 7.4.4.7.Belem 7.4.4.8.Alcantara 7.4.4.9.Expo 7.4.4.10.Graga 7.4.5.Final considerations 8.The meaning of the reflections 8.1.Places, Insiders and Outsiders 8.2.The self-reflections 8.3.Digital memory 8.4.The last final consideration 9.Bibliography note |
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